lunedì 8 novembre 2010 ore 15

Francisco Gòmez Mont Avalos
(Neurohumanities Research Centre, Tlalpan Universidad IberoAmericana Ciudad de Mexico)
Neuroliterature, Visual Neuroaesthetics and Neurohistory

Ronald Shusterman
(Université de Saint Étienne)
Acting on Impulse: Materialism and Determinism in the Arts

Pirjo Lyytikäinen
(Finnish Graduate School, University of Helsinki)
The Power Of Allegory: Imagi(ni)ng New Worlds

martedì 9 novembre 2010 ore 10

Marco Sirtori
(Università degli studi di Bergamo)
"True tears from your painted sorrow".
The Practice of Ekphrasis in Italian Romantic Poetry

Jean-Jacques Lecercle
(Université Paris X Nanterre)
Epiphany to Ecstasy.
The Dialectics of Image and Text: Toffs and Toughs and a Wall in Naples

Elena Agazzi
(Università degli studi di Bergamo)
Günter Grass' "Camera Obscura":
The Shadows of Memory and the Horizons of Desire

martedì 9 novembre 2010 ore 15

Ann Lecercle
(Université Paris X Nanterre)
From the "changeable taffeta" of Elizabethan Theatre and the Cangiantismo of Italian Painting
to Anamorphosis, Pictural and Scriptural

Lawrence Gasquet
(University Jean Moulin Lyon 3)
"There is literally no point of clear sight, and there never can be":
On the Imperfection of Representation

Jean-Louis Vidalenc
(Université de Bordeaux)
(De)Constructing the Scarlet Woman in Art, Film, and Fiction

Angela Locatelli
(Università degli studi di Bergamo)
Well Said, Well Seen: Aspects of the Visual in Literature